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Fellowes, Julian Snobs ISBN 13: 9781250020369

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9781250020369: Snobs
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Críticas:

"Like a visit of an English country estate: breezy, beautiful, and charming." --The New York Times Book Review

"[A] guilty pleasure of a novel [that] seems authentic down to the wallpaper and the Wellingtons. Hilarious...sharp, entertaining, and unforgiving." --Anna Quindlen

"Snobs, by Julian Fellowes, is an hilariously snobbish novel about hilariously snobbish people involved in a society scandal. Froth at its best. His writing is as stylish as his story. Mr. Fellowes knows his turf well." --Dominick Dunne

"I couldn't put Snobs down: Who could resist a great story of a beautiful, ambitious girl on her climb to the turreted top of the castle-hopping set? As witty as he is smart, Julian Fellowes is the Oscar-winning, Oscar Wilde of the minute." --Plum Sykes

"Julian Fellowes's witty, wise depiction of the lives and lunacies of upper-class English life is just my cup of tea...." --Jane Stanton Hitchcock

"Snobs is everything you would hope for from the writer of Gosford Park. A delicious thoroughbred delight, a guilty treat that is awake to every maddening and appallingly attractive nuance of English social life. The novel somehow contrives to be moral without being preachy or losing for a minute its gracefully shameless delight in the well bred and their satellites. A kind of Louis Auchincloss for our times, Julian Fellowes has written a book that is destined to grace all the bedside tables of all the better houses in the land." --Stephen Fry

"This is the kind of book Edith Wharton would have written if she were around today." --Arnold Scaasi

"Snobs is an insightful, funny satire of English upper-crust country life in the tradition of Mitford or Waugh....The best chick-lit book of the season was written by a man." --The Globe and Mail

"Sparklingly rompish...As long as this world does still exist, Fellowes is a delectable guide to its absurdities." --Sunday Times (London)

"Illustrated with some cherishably nasty, Gosford Park--style scenes of aristocratic point-scoring, and far more illuminating than a copy of Correct Form...one of those books one imagines being sent up to Balmoral...where it will be proclaimed divinely funny and quite amazingly true to life." --The Guardian

"Deliciously waspish satire...Snobs is terrific entertainment, deepened by the sad ache of truth." --Literary Review

"Fellowes's attractive, faintly cynical voice has overtones of Trollope, Waugh, and Mitford." --The Independent

"A delicious comedy of manners on the nuances of English social life, which raises laughter and an occasional wince of recognition." --Daily Mail

"Provocative, titillating, and seductive...Julian Fellowes tells this anachronistic morality tale with such wit, verve, elegance, and schadenfreude that it never loses momentum." --The Spectator

"Fellowes doesn't try to hide his love of the funny, sealed, above-stairs world of dukes, duchesses, marquesses, nusery maids, herbaceous borders, and breakfast kedgeree under its own silver lid, all of which is what makes Snobs such a good, fresh read." --Telegraph

Reseña del editor:

From the creator of the Emmy Award-winning Downton Abbey...

"The English, of all classes as it happens, are addicted to exclusivity. Leave three Englishmen in a room and they will invent a rule that prevents a fourth joining them."

The best comedies of manners are often deceptively simple, seamlessly blending social critique with character and story. In his superbly observed first novel, Julian Fellowes, creator of the Masterpiece sensation Downton Abbey and winner of an Academy Award for his original screenplay of Gosford Park, brings us an insider's look at a contemporary England that is still not as classless as is popularly supposed.

Edith Lavery, an English blonde with large eyes and nice manners, is the daughter of a moderately successful accountant and his social-climbing wife. While visiting his parents' stately home as a paying guest, Edith meets Charles, the Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.

When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?

One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

In Snobs, a wickedly astute portrait of the intersecting worlds of aristocrats and actors, Julian Fellowes establishes himself as an irresistible storyteller and a deliciously witty chronicler of modern manners.

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  • VerlagSt. Martin's Griffin
  • Erscheinungsdatum2012
  • ISBN 10 1250020360
  • ISBN 13 9781250020369
  • EinbandTapa blanda
  • Anzahl der Seiten288
  • Bewertung

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Buchbeschreibung Softcover. Zustand: new. Excerpt. Reprinted by permission. All rights reserved.SnobsBy Julian Fellowes St. Martin's GriffinCopyright 2012 Julian FellowesAll right reserved.ISBN: 9781250020369SNOBS (Chapter One)I do not know exactly how Edith Lavery came first to be taken up by Isabel Easton. Probably they had a friend in common or sat on some committee together, or perhaps they just went to the same hairdresser. But I can remember that from quite early on, for some reason, Isabel decided that Edith was rather a feather in her cap, someone that little bit special to be fed to her country neighbours in rationed morsels. History was of course to prove her right, although there was no tremendously compelling evidence for this when I first met her. Edith was certainly very pretty then but not as she would be later when she had, as designers say, found her style. She was a type, albeit a superior example of it: the English blonde with large eyes and nice manners.I had known Isabel Easton since we were children together in Hampshire and we enjoyed one of those pleasant, undemanding friendships that are based entirely on longevity. We had very little in common but we knew few other people who could remember us on our ponies at the age of nine and there was a certain comfort in our occasional encounters. I had gone into the theatre after leaving university and Isabel had married a stockbroker and moved to Sussex so our worlds scarcely crossed, but it was fun for Isabel to have an actor to stay occasionally who had been seen on television (though never, as it happens, by any of her friends) and for me, it was pleasant enough to spend the odd weekend with my old playmate.I was in Sussex the first time that Edith came down and I can testify to Isabel's enthusiasm for her new friend, later queried by her less generous acquaintance. It was quite genuine: 'Things are going to happen for her. She's got something.' Isabel was fond of using phrases that seemed to imply an inside knowledge of the workings of the world. Some might have said that when Edith climbed out of the car half an hour later, she didn't appear to have got very much beyond her appearance and a rather beguiling, relaxed charm, but I was inclined to agree with our hostess. Looking back, there was a hint of what was to come in the mouth, one of those cut-glass mouths, with the clearly defined, almost chiselled lips that one associates with the film actresses of the forties. And then there was her skin. To the English, skin is, as a rule, the compliment of last resort, to be employed when there is nothing else to praise. Good skin is frequently dwelt on when talking of the plainer members of the Royal Family. Be that as it may, Edith Lavery had the loveliest complexion I have ever seen: cool, clear, pastel colours under layers of flawless wax. I have all my life had a weakness for good-looking people and in retrospect, I think I became Edith's ally in that first moment of admiring her face. At all events, Isabel was destined to become a self-fulfilling prophet for it was she who took Edith to Broughton.Broughton Hall, indeed the very House of Broughton, was a wounding seam that marbled every aspect of the Eastons' Sussex life. As first Barons and then Earls Broughton and lately, since 1879, Marquesses of Uckfield, the Broughtons had held mighty sway over this particular section of East Sussex for a great deal longer than most potentates of the Home Counties. Until little more than a century ago their neighbours and vassals had mainly consisted of lowly farmers eking a living out of the flat and boggy marshland at the base of the downs but the roads and the railways and the invention of the Saturday-to-Monday had brought the haute bourgeoisie flooding to the area in search of ton, and, like Byron, the Broughtons awoke to find themselves famous. Before long, the local mark of whether one was 'in' or 'out' was largely based on whether or not one was on their visiting list. In fairness I must. Bestandsnummer des Verkäufers DADAX1250020360

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Buchbeschreibung Softcover. Zustand: New. 41258th. Excerpt. Reprinted by permission. All rights reserved.SnobsBy Julian Fellowes St. Martin's GriffinCopyright 2012 Julian FellowesAll right reserved.ISBN: 9781250020369SNOBS (Chapter One)I do not know exactly how Edith Lavery came first to be taken up by Isabel Easton. Probably they had a friend in common or sat on some committee together, or perhaps they just went to the same hairdresser. But I can remember that from quite early on, for some reason, Isabel decided that Edith was rather a feather in her cap, someone that little bit special to be fed to her country neighbours in rationed morsels. History was of course to prove her right, although there was no tremendously compelling evidence for this when I first met her. Edith was certainly very pretty then but not as she would be later when she had, as designers say, found her style. She was a type, albeit a superior example of it: the English blonde with large eyes and nice manners.I had known Isabel Easton since we were children together in Hampshire and we enjoyed one of those pleasant, undemanding friendships that are based entirely on longevity. We had very little in common but we knew few other people who could remember us on our ponies at the age of nine and there was a certain comfort in our occasional encounters. I had gone into the theatre after leaving university and Isabel had married a stockbroker and moved to Sussex so our worlds scarcely crossed, but it was fun for Isabel to have an actor to stay occasionally who had been seen on television (though never, as it happens, by any of her friends) and for me, it was pleasant enough to spend the odd weekend with my old playmate.I was in Sussex the first time that Edith came down and I can testify to Isabel's enthusiasm for her new friend, later queried by her less generous acquaintance. It was quite genuine: 'Things are going to happen for her. She's got something.' Isabel was fond of using phrases that seemed to imply an inside knowledge of the workings of the world. Some might have said that when Edith climbed out of the car half an hour later, she didn't appear to have got very much beyond her appearance and a rather beguiling, relaxed charm, but I was inclined to agree with our hostess. Looking back, there was a hint of what was to come in the mouth, one of those cut-glass mouths, with the clearly defined, almost chiselled lips that one associates with the film actresses of the forties. And then there was her skin. To the English, skin is, as a rule, the compliment of last resort, to be employed when there is nothing else to praise. Good skin is frequently dwelt on when talking of the plainer members of the Royal Family. Be that as it may, Edith Lavery had the loveliest complexion I have ever seen: cool, clear, pastel colours under layers of flawless wax. I have all my life had a weakness for good-looking people and in retrospect, I think I became Edith's ally in that first moment of admiring her face. At all events, Isabel was destined to become a self-fulfilling prophet for it was she who took Edith to Broughton.Broughton Hall, indeed the very House of Broughton, was a wounding seam that marbled every aspect of the Eastons' Sussex life. As first Barons and then Earls Broughton and lately, since 1879, Marquesses of Uckfield, the Broughtons had held mighty sway over this particular section of East Sussex for a great deal longer than most potentates of the Home Counties. Until little more than a century ago their neighbours and vassals had mainly consisted of lowly farmers eking a living out of the flat and boggy marshland at the base of the downs but the roads and the railways and the invention of the Saturday-to-Monday had brought the haute bourgeoisie flooding to the area in search of ton, and, like Byron, the Broughtons awoke to find themselves famous. Before long, the local mark of whether one was 'in' or 'out' was largely based on whether or not one was on their visiting list. In fairness I must. Bestandsnummer des Verkäufers BKZN9781250020369

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