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Verlag: Hans Holzinger, 1969
Anbieter: Structure, Verses, Agency Books, Spray, OR, USA
Erstausgabe
Softcover. Zustand: Good. First Edition. Quite scarce in the U.S. trade. Sturdy, still tightly bound softcover copy, minor wear of covers, some soiling thereto, less to text-block, but with neither underlining nor highlighting. Perfectly readable, usable copy. German language texts about a fascinating take on pre-Fascist German culture, art, photography, architecture, sculpture and design. Introductory essays by Fischer and Sembach, plentiful black-and-white photographs, and a final essay by Henry van de Velde, like the other essays, printed on heavy card stock.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
Verlag: Munich: Staatliche Museum fur angewandte Kunst, 1969
Anbieter: ANARTIST, New York, NY, USA
Softcover exhibition catalog, unpaginated, in German; fair condition; creases to covers; partially removed clear tape around spine base; no internal marks.
Verlag: Die Neue Sammlung, Munich, 1978
Anbieter: A&D Books, South Orange, NJ, USA
Erstausgabe
Paperback. First edition. Very Good+ with a scuff and small indents to the back cover and light wear, a light bump and a small crease at one tip. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Essay by Klaus-Jurgen Sembach; foreword by Wend Fischer. Unpaginated [approx. 100 pages]; 51 full-page color and b&w plates plus 2 text illustrations; 11.75 x 8.25 inches. Artist bios. Text in English and German. A survey of American landscape photography from 1860 to 1978 with work by Stephen Shore, William Eggleston, Edward Weston, Aaron Siskind, Joe Deal, Robert Adams, etc. Includes excerpts from interviews with Adams, William Christenberry, Eggleston, Shore, and Siskind. The catalogue for an exhibition.